Video – Sandra Bullock Accepts Her Oscar for Best Actress

March 10, 2010 Leave a comment

How can you not love this Woman. Her best feature is her personality and just being “real”. I mean she is just a girl who does not take what she has in life for granted and she appreciates all that she has. Not sure if this was her best performance but she won.

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Categories: ACTORS, AWARDS, VIDEOS

The Oscar Telecast: Worse Than Ever? Gee I Think So, it Truly Sucked

Harris

Call me an eternal optimist. At this time of year, I always find myself hoping against hope for two things: that (1) somehow this will be the year that the Cubs win the World Series and (2) maybe this will be the year the producers of the Academy Awards successfully reinvent the world’s oldest awards show.

We’ll have to wait till October to see if I’m right about the Cubs, but as far as the Oscars go, it was another huge disappointment, a colossal missed opportunity. Right from the start, the producers seemed unable to re-imagine the show as something other than a glitzy, painfully earnest version of the same cobwebby variety show we’ve been watching for years. I mean, there’s far more inventiveness going on in ABC’s “Modern Family” than there was on the Oscar stage last night.

Where to start? Oh, yeah, the hosts. I love Steve Martin and Alec Baldwin, but watching them trying to coax laughs out of the wheezy one-liners they were given was painful. It was a buddy comedy gone wrong, a lot like watching Tracy Morgan and  Bruce Willis flail around in “Cop Out,” hoping to make a scene work without any good material to draw on. Oscar hosts don’t do improv. They need a good script and Bruce Vilanch (and whomever else was crafting material this year) let them down. 

The direction of the show was especially awful. It felt like whenever there was a potentially dramatic moment happening on stage, Hamish Hamilton, the show’s director, managed to miss it, starting with seeing Jim Cameron’s reaction to Kathryn Bigelow winning best director. Hamilton did an especially inept job of shooting the John Hughes tribute, which felt surprisingly flat and unemotional, in large part because it was staged so awkwardly, with Hughes’ old actors (now actually starting to get old) lined up on stage like beauty contestants. And when Mo’Nique finished her full-throated supporting actress acceptance speech, Hamilton cuts away to — ouch! — Samuel L. Jackson, who had nothing to do with the movie and presumably was picked for a cutaway after someone in the booth yelled, “Find me a black person for a reaction shot!” 

As soon as Jackson was on camera, he started derisively rolling his eyes, as if to say that he thought Mo’Nique’s speech was totally over the top, forcing another awkward cutaway, since having a big-time actor being underwhelmed by an acceptance speech would clearly spoil the moment.

And when it came to spoiling the moment, nothing was worse than having Barbra Streisand present best director to Bigelow. First off, Streisand was clearly picked after the producers knew Bigelow had won as some sort of symbolic passing of the torch moment although, once again, the producers couldn’t manage to find any drama in the moment. Even worse, it was demeaning to women directors everywhere, since Streisand was clearly chosen for her star power, not her directing chops — I mean, this is the woman whose last two films were “The Mirror Has Two Faces” and “Prince of Tides,” which would put Streisand about No. 47 on the best women director’s list.

I won’t even touch the Neil Patrick Harris opening number, since others have weighed in with far better assessments, the best being from Emmy-winning TV writer-producer Ken Levine, who wrote in his blog post: “The Oscars were very elegant this year all the way up to the opening number. Then Neil Patrick Harris sang about sodomy, masturbation and prison and Hollywood’s classiest night was underway.” 

And how about that horror-movie tribute montage? First off, why horror movies? I mean, in a year when we had, for the first time ever, two sci-fi movies among the best picture candidates, why not do a sci-fi montage sequence, which would’ve far more timely? And why have two young pups introduce the horror segment (and yes, I get the “Twilight” young demo tie-in) when you could have had two great scream queens do it, like Jamie Lee Curtis and Kathy Bates, who could have offered a couple of funny anecdotes about the glories of low-budget horror filmmaking?

I could go on and on. The show had a few nice moments — Ben Stiller made me laugh, the hosts had a couple of good zingers and it was especially apt to have James Taylor play such a lovely version of John Lennon’s “In My Life” over the In Memoriam segment. And yes, Sandra Bullock’s acceptance speech was a pip, more than making up for Jeff Bridges’ interminable, Dude-like ramblings. 

I hear the early reports say the show’s ratings went up as much as 15%, but considering the presence of “Avatar,” the world’s biggest-grossing movie, that still has to be cause for some concern, since it was just a month ago that the Grammy show was up 35% over the previous year. I’ve said it before and I’ll say it again — what the Oscar telecast needs is real TV producers, since they actually know how to put on a TV show.

My first choice remains Tommy Schlamme and Aaron Sorkin, since they bring built-in writing and directing talent with them, but there is plenty of other savvy TV talent to choose from. It’s time the academy realized that a few patches here and some fresh paint there won’t do the trick. This is a show that needs a complete makeover.

Photo of Neil Patrick Harris (fourth from left) and Oscar dancers by Robert Gauthier / Los Angeles Times

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Categories: AWARDS, HOLLYWOOD, NEWS STORY

Trailer – New 'Iron Man 2' looks Incredible.

Well after watching that shitty excuse of an Oscar show at least we can end it on a good note. The trailer has a lot of great new stuff to see. The effects look great and I love the “suitcsase” armor.

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Categories: TRAILERS

Article – Defectors Say Church of Scientology Hides Abuse

They signed a contract for a billion years — in keeping with the church’s belief that Scientologists are immortal. They worked seven days a week, often on little sleep, for sporadic paychecks of $50 a week, at most.

But after 13 years and growing disillusionment, the Collbrans decided to leave the Sea Org, setting off on a Kafkaesque journey that they said required them to sign false confessions about their personal lives and their work, pay the church thousands of dollars it said they owed for courses and counseling, and accept the consequences as their parents, siblings and friends who are church members cut off all communication with them.

“Why did we work so hard for this organization,” Ms. Collbran said, “and why did it feel so wrong in the end? We just didn’t understand.”

They soon discovered others who felt the same. Searching for Web sites about Scientology that are not sponsored by the church (an activity prohibited when they were in the Sea Org), they discovered that hundreds of other Scientologists were also defecting — including high-ranking executives who had served for decades.

Fifty-six years after its founding by the science fiction writer L. Ron Hubbard, who died in 1986, the church is fighting off calls by former members for a Reformation. The defectors say Sea Org members were repeatedly beaten by the church’s chairman, David Miscavige, often during planning meetings; pressured to have abortions; forced to work without sleep on little pay; and held incommunicado if they wanted to leave. The church says the defectors are lying.

The defectors say that the average Scientology member, known in the church as a public, is largely unaware of the abusive environment experienced by staff members. The church works hard to cultivate public members — especially celebrities like Tom Cruise, John Travolta and Nancy Cartwright (the voice of the cartoon scoundrel Bart Simpson) — whose money keeps it running.

But recently even some celebrities have begun to abandon the church, the most prominent of whom is the director and screenwriter Paul Haggis, who won Oscars for “Million Dollar Baby” and “Crash.” Mr. Haggis had been a member for 35 years. His resignation letter, leaked to a defectors’ Web site, recounted his indignation as he came to believe that the defectors’ accusations must be true.

“These were not the claims made by ‘outsiders’ looking to dig up dirt against us,” Mr. Haggis wrote. “These accusations were made by top international executives who had devoted most of their lives to the church.”

The church has responded to the bad publicity by denying the accusations and calling attention to a worldwide building campaign that showcases its wealth and industriousness. Last year, it built or renovated opulent Scientology churches, which it calls Ideal Orgs, in Rome; Malmo, Sweden; Dallas; Nashville; and Washington. And at its base here on the Gulf Coast of Florida, it continued buying hotels and office buildings (54 in all) and constructing a 380,000-square-foot mecca that looks like a convention center.

“This is a representation of our success,” said the church’s spokesman, Tommy Davis, showing off the building’s cavernous atrium, still to be clad in Italian marble, at the climax of a daylong tour of the church’s Clearwater empire. “This is a result of our expansion. It’s pinch-yourself material.”

As for the defectors, Mr. Davis called them “apostates” and said that contrary to their claims of having left the church in protest, they were expelled.

“And since they’re removed, the church is expanding like never before,” said Mr. Davis, a second-generation Scientologist whose mother is the actress Anne Archer. “And what we see here is evidence of the fact that we’re definitely better off without them.”

‘Bridge to Total Freedom’

Scientology is an esoteric religion in which the faith is revealed gradually to those who invest their time and money to master Mr. Hubbard’s teachings. Scientologists believe that human beings are impeded by negative memories from past lives, and that by applying Mr. Hubbard’s “technology,” they can reach a state known as clear.

They may spend hundreds of hours in one-on-one “auditing” sessions, holding the slim silver-colored handles of an e-meter while an auditor asks them questions and takes notes on what they say and on the e-meter’s readings.

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Video – Sandra Bullock Accepts Razzie Award for Worst Actress

Here is Sandra Bullock accepting her Award for Worst Actress in a film at  the Razzies 2010. It is funny and it shows whey we all love her. She really is down to earth and a cool chick. Jesse is one lucky dude.

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Categories: ACTORS, AWARDS, VIDEOS

Infographic: Film Industry by the Numbers

Video – Tired of the Snow? You need to get a RoboPlow

RoboPlow Is Man’s Secret Weapon In the Battle Against Mother Nature

Though it seems like the weather’s warming up now, think back to February when Mother Nature was piling on the snow with callous indifference. Feel that bitter cold on your face, that strain in your lower back. Now meet RoboPlow.

This is the idea that every geek has had, but the guys at IdeaLaboratories were just fed up enough to actually see it through. The RoboPlow sports a 50″ blade, six wheel drive, and a bad attitude when it comes to all things snow.

In fact, watching this formidable machine slice its way through snowbanks, I’m wondering if the RoboPlow isn’t a little too powerful, if we didn’t let this arms race with Mother Nature push us to create a technology that should never have been created. Watching this video and seeing the RoboPlow barrel down the driveway, I felt a nervous feeling in the pit of my stomach that it was just going to keep going into the street, plowing straight on through the traffic.

RoboPlow, like RoboCop before him, has a singular directive. In this case it’s to annihilate snow. But I’m sure somewhere in one of those RoboCop sequels there was a lesson to be learned about the dangers of giving robots too much power.

You can’t help but wonder: in a post-snowpocalyptic world, will the RoboPlows have any reason not to plow us? [Reddit]

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